Wednesday, January 11, 2006 · posted at 1:32 AM
sh*t or get off the pot. Heather Graham's new sitcom Emily's Reasons Why Not premiered tonight to a smattering of chuckles and a whole bunch of groans. My relationship with Heather Graham has always been tumultuous - leaning towards hate in roles such as Rollergirl, Felicity Shagwell, Heath Ledger's girlfriend... then rocketing to love in her guest role as a loopy shrink on Scrubs. But after watching the pilot for this new show, my opinion is firmly planted on the hate side again.

The show, flawed by poor acting, bad jokes and stereotypical roles, actually has an interesting premise:
Emily's Reasons Why Not explores the world of Emily Sanders, a successful career woman who has terrific instincts in every arena of her life but one -- relationships... Determined now to make better choices, Emily employs a "Reasons Why Not" list-making system designed to serve as an internal warning on when it's time to cut bait and move on.
It's actually a pretty generous system - suitors are allowed 5 red flags before getting chucked. For those who are mathematically challenged, that's a whole two more than allowed in the 3 strikes policy and a fivefold increase from the auto-fail policy.

auto-fail
n., also v.
Any attitude, behavior, characteristic, or trait that results in immediate repulsion and degradation of status. Usually used in the context of dating and romantic relationships, but can be used in other judgmental context. Also know as "game over" or "fatal flaw."

Origin: from the DMV term "automatic failure" - a driving maneuver that, when executed during the behind-the-wheel exam, results in immediate termination of the exam.

Examples: I auto-failed him for not recycling. My auto-fails are eye crispies and owning Gigli.
Everyone's had the auto-fail discussion with friends, or even replayed with harrowing details the exposure of an auto-fail ("We were watching the movie and he was breathing so loudly it felt like I was sitting next to Darth Vader! I could almost hear the nose hairs rustling against each other"). In fact, the "auto-fail" conversation is almost guaranteed, pre-packaged fun (like Catchphrase!), unless of course the mob says nay to back hair and unfortunate genetics have left you with a dorsal side reminiscent of Sasquatch.

So how can a show about auto-fails, or toned down semi-fails anyway, be such a comedic disaster?

In the quest for mass public appeal, they've watered down the "reasons why not" to be generic "might not be the right person" (e.g. he's gay, he's your gynecologist) instead of "might not be the right person for you." We all have our list of ideal and not-so-ideal qualities, whether it's a hatred of toe socks or a disdain for toe sock haters, but it's our quirky personal preferences that make auto-fails laughable.

To get the audience entertained and invested, Emily needs to take a lesson from Chandler. Obsessive, deprecating and idiosyncratic? Sure. Funny? Always.

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